MoFi Electronics UltraPhono Pro Phono Preamp
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Flagship Parts, Lower Price
The MoFi Electronics UltraPhono Pro is a solid-state phono preamplifier for moving magnet and moving coil cartridges. It shares its design thinking, and its designer, with MoFi's flagship MasterPhono, at less than half the price.
Designer Peter Madnick also created the MasterPhono. Here, he kept the parts and circuit ideas that mattered most for sound quality. He dropped the MasterPhono's dual-chassis layout and some of its extra flexibility. That's how the UltraPhono Pro fits in one, more affordable box.
Inside, fully discrete J-FET and MOSFET stages handle amplification. RIAA equalization is done passively, with zero feedback in the circuit. MoFi rates RIAA accuracy at ±0.05dB. That's an exacting figure for a phono stage at this price.
A seven-stage regulated, balanced power supply feeds the circuit. There are no tubes here: every gain stage is solid-state, chosen for a low noise floor rather than for the coloration a valve would add.
One Input, Real Flexibility Where It Counts
The UltraPhono Pro has a single RCA input. It's built to serve one turntable at a time, not to switch between several. Gain and loading are both set from the front panel instead.
RCA output gain runs 40, 52, or 65dB. The balanced XLR output adds a bit more at each step: 46, 58, or 71dB. That range covers a high-output moving magnet cartridge all the way to a low-output moving coil.
Loading is switchable across five settings: 100, 300, 500, and 1,000 ohms, plus the standard 47k ohm setting for moving magnet cartridges. A front-panel switch also flips between stereo and mono playback. A subsonic filter cuts rumble below the audible range.
Frequency response spans 10Hz to 50kHz, within ±0.20dB. Distortion measures between 0.005% and 0.013%, depending on gain and output level. The chassis measures 17 inches wide and about 2.5 inches tall. Its body is steel, with a brushed aluminum top and front panel.
What Reviewers Are Saying
Greg Weaver reviewed the UltraPhono Pro for Positive Feedback in May 2026. He praised its bass in particular, writing that it's "tight, solid, and rendered with exceptionally well-defined pitch."
He described the tonal balance as natural across the board. Voices, pianos, strings, horns, and even the crisp snap of a snare all came through with "natural purity, tonal accuracy, and seemingly effortless resolution."
On treble and dynamics, he found it "pure, clean, and detailed" with "remarkably swift transients." His overall take was simple: the UltraPhono Pro "expertly bested all my expectations."
Who Is This Preamp Best For?
- You want the flagship circuit for less. It has the same designer and the same core ideas, at less than half the cost.
- You run one turntable and expect to keep it that way. Its one-input design keeps the signal path simple, at the cost of switching between multiple sources.
- Your moving coil cartridge needs real gain. Balanced output gain reaches 71dB. That's enough for even low-output MC cartridges.
- You want the controls on the front. Every key setting is right there, with nothing to open up.
- One turntable at a time — a single input keeps the signal path short, so a second deck needs a stage of its own. With one deck, balanced gain reaches 71dB for the lowest-output cartridges. See our moving coil cartridges.
How Does It Connect to Your System?
Connect your turntable's phono cable to the single RCA input on the rear panel. Set gain and loading from the front to match your cartridge's output and recommended load.
Run the RCA or balanced XLR output to your preamplifier or integrated amp's line-level input, whichever your system supports. The balanced output offers slightly higher gain at each setting.
Engage the subsonic filter if your turntable or room picks up low-frequency rumble that shows up as woofer pumping rather than actual bass.
Pairs Well With
Building your system? Here are some great companions for the MoFi Electronics UltraPhono Pro:
- Turntables to pair with its single, dedicated phono input
- Phono cartridges, moving magnet or moving coil, matched to its gain and loading options
- Interconnect cables to connect its RCA or balanced outputs to your preamp
- Audio racks to give it a stable, permanent home
Frequently Asked Questions
How is this different from the standard MoFi UltraPhono?
They are not the same product. The standard UltraPhono is an older, lower-priced unit with a built-in headphone amp. The UltraPhono Pro is newer and better. It takes its circuit from MoFi's flagship MasterPhono. It has no headphone output.
Can I connect more than one turntable?
One at a time. It has a single RCA input, so it is built around one turntable rather than source switching.
Does it work with moving coil cartridges?
Yes. Gain reaches up to 65dB on RCA and 71dB balanced, along with loading options as low as 100 ohms, both suited to moving coil cartridges.
Does it use tubes?
It is solid-state. Discrete J-FET and MOSFET stages do the work instead of tubes.
What's the warranty?
MoFi Electronics doesn't publish a specific warranty length for the UltraPhono Pro. Contact Audio Advisor for the most current coverage details before you buy.
See It in Action
The Audio Analyst walks through the UltraPhono Pro's design and performance:
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Learn More
Want to learn more about matching a phono preamp to your cartridge, setting gain and loading correctly, or getting the most from your turntable? Visit our Learning Center for guides, tips, and expert advice.
- All-analog phono preamplifier for moving-magnet, moving-iron, and moving-coil cartridges
- Designed by Peter Madnick using core technology from MoFi’s flagship MasterPhono
- Single-input design maintains a short, simple signal path
- Fully discrete J-FET and MOSFET input and output stages
- Passive RIAA equalization network with zero feedback
- Precision RIAA accuracy within ±0.05dB
- Seven-stage regulated balanced power supply
- Three front-panel gain settings for easy cartridge matching
- Five selectable cartridge-loading settings
- Balanced XLR and unbalanced RCA outputs
- Mono mode improves playback of mono records
- Switchable subsonic filter reduces record and turntable rumble
- Mute control allows safer cartridge and record changes
- Dim control adjusts front-panel illumination
- Separate chassis and signal grounding connections help reduce noise
- Brushed-aluminum panels supported by a rigid steel frame
- All-analog phono preamplifier for moving-magnet, moving-iron, and moving-coil cartridges
- Designed by Peter Madnick using core technology from MoFi’s flagship MasterPhono
- Single-input design maintains a short, simple signal path
- Fully discrete J-FET and MOSFET input and output stages
- Passive RIAA equalization network with zero feedback
- Precision RIAA accuracy within ±0.05dB
- Seven-stage regulated balanced power supply
- Three front-panel gain settings for easy cartridge matching
- Five selectable cartridge-loading settings
- Balanced XLR and unbalanced RCA outputs
- Mono mode improves playback of mono records
- Switchable subsonic filter reduces record and turntable rumble
- Mute control allows safer cartridge and record changes
- Dim control adjusts front-panel illumination
- Separate chassis and signal grounding connections help reduce noise
- Brushed-aluminum panels supported by a rigid steel frame
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